Review: “People That Are Not Me” (2016)
“People That Are Not Me” (2016) is an intimate, brutally honest, and refreshingly raw portrait of modern loneliness and emotional vulnerability. Written, directed, and starring Hadas Ben Aroya, the Israeli indie film captures the confusion, contradictions, and quiet despair of a generation searching for meaning in fleeting connections.

The story follows Joy, a young woman drifting through relationships and casual encounters, trapped in the space between longing and detachment. Ben Aroya delivers a fearless performance—achingly authentic and self-exposing—as she navigates heartbreak, sexual freedom, and the ache of being misunderstood. Her performance blurs the line between actress and character, turning the film into something deeply personal and strikingly real.
Visually, the film adopts a minimalist, almost documentary-like style that mirrors Joy’s emotional emptiness. Conversations feel spontaneous, the camera lingers uncomfortably long, and silence speaks louder than words. This realism, combined with a hauntingly beautiful soundtrack, gives the film an honesty rarely seen in romantic dramas.

“People That Are Not Me” is not about plot—it’s about feeling. It captures the restless spirit of youth, the pain of connection without commitment, and the vulnerability of being human in a disconnected world. Courageous, introspective, and poetic, it’s a film that doesn’t seek to comfort—it dares to confront.