Immaculate (2024) is a chilling psychological horror film that blends religious symbolism with body horror to explore themes of faith, control, and female autonomy. Set within the austere confines of a remote convent, the film builds an atmosphere of dread through suggestion and unease rather than constant shocks, allowing tension to grow steadily beneath its serene surface.

Sydney Sweeney delivers a commanding performance, effectively conveying vulnerability, fear, and quiet defiance as her character’s reality becomes increasingly nightmarish. Director Michael Mohan employs stark imagery, controlled pacing, and oppressive silence to heighten the sense of spiritual and physical confinement. The cinematography contrasts sacred iconography with disturbing imagery, reinforcing the film’s unsettling tonal duality.

What sets Immaculate apart is its thematic boldness. Beneath its horror framework lies a sharp critique of institutional power and the violation of personal agency in the name of faith. Disturbing yet thought-provoking, Immaculate succeeds as both an effective genre piece and a provocative meditation on belief and bodily autonomy, leaving a lingering impact long after the final scene.