Ma Folie is a psychological drama that slips gently into the mind before tightening its grip, creating an atmosphere where affection turns into obsession and reality begins to wobble at the edges. The film follows Hanna, a young woman who finds herself unraveling after the end of a relationship that refuses to stay buried.

The story begins with a breakup that should have offered closure, yet the man she once loved continues to haunt her through a series of unsettling video messages. These “Lettres filmées” shift from nostalgic to menacing, turning what once felt intimate into something sharp enough to cut through Hanna’s sense of safety. The film explores this shift with a slow, deliberate tension.

Hanna’s internal world becomes the true landscape of the movie. As the messages intensify, she struggles to understand whether the danger is coming from him, from her own fears, or from the thin barrier between the two. The film treats her uncertainty with a quiet, creeping subtlety, allowing doubt to curl through the story like smoke.

Visually, Ma Folie uses close framing and muted tones to mirror Hanna’s psychological state. Everyday spaces feel slightly off-kilter, as if the walls are leaning in to listen. The camera lingers on textures, reflections, and fleeting expressions, giving viewers access to the fragile thread holding Hanna’s reality together.